Inspired by a Radio George Listener!

In late 2009,  Radio George listener John Harper, of Bridgewater, MA, wrote and asked "How about a channel featuring all the great instrumental hits from the rock n' roll days of radio?" Great idea! Radio George was as surprised as you may be to find One Hundred of them. Here's a collection stretching from the early 50's to the mid '70's that's guaranteed to bring back some great memories for you. Scroll down to see the complete list of songs (which play in a different order each time you listen), and be sure to check out the "Strange Notes" info, too.


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Radio George Top 100+ Rock Instrumentals
 

 Tequila The Champs  Poor People of Paris Les Baxter
 Sleepwalk Santo & Johnny  Love is Blue Paul Mauriat
 Wipe Out The Surfaris  Wonderland by Night Bert Kaempfert
 Walk, Don't Run The Ventures  Calcutta Lawrence Welk
 Apache Jorgen Ingmann  Last Date Floyd Cramer
 Because They're Young Duane Eddy  Stranger on the Shore Acker Bilk
 Green Onions Booker T & the MGs  Rise Herb Alpert
 Out of Limits The Marketts  Theme from Chariots of Fire Vangelis
 Scorpio Dennis Coffey  Rumble Link Wray
 No Matter What Shape The T-Bones  Miserlou Dick Dale & the Del-Tones
 Pipeline The Chantays  TSOP(Sound of Philadelphia) MFSB
 Red River Rock Johnny & the Hurricanes  Jessica The Allman Brothers Band
 The Lonely Bull Herb Alpert/Tijuana Brass  Time is Tight Booker T & the MGs
 Joy Apollo 100  Soul Finger The Bar-Kays
 The Good the Bad & the Ugly Hugo Montenegro  Ghost Riders in the Sky The Ventures
 The Pink Panther Theme Henry Mancini  Guitar Boogie Shuffle Arthur Smith
 Classical Gas Mason Williams  Woo-Hoo! The Rock-a-Teens
 Telstar The Tornadoes  Harlem Nocturne The Viscounts
 A Fifth of Beethoven Walter Murphy  Bumble Boogie B Bumble & the Stingers
 Honky Tonk (Parts 1 & 2) Bill Doggett  Wheels The String-A-Longs
 The Stripper David Rose & His Orchestra  Bulldog The Fireballs
 Dueling Banjos Deliverance Soundtrack  Popcorn Hot Butter
 Love's Theme Love Unlimited Orchestra  The Hustle Van McCoy
 Topsy Part II Cozy Cole  The Lonely Surfer Jack Nitzsche
 The Happy Organ Dave "Baby" Cortez  Theme from Bonanza Al Caiola
 Miami Vice Theme Jan Hammer  A Walk in the Black Forest Horst Jankowski
 Grazing in the Grass Hugh Masekela  Theme from Hawaii Five-0 The Ventures
 Pick Up the Pieces Average White Band  I Was Kaiser Bill's Batman Whistling Jack Smith
 Theme from S.W.A.T. Rhythm Heritage  Yakety Sax Boots Randolph
 Raunchy Bill Justis & His Orchestra  Mexico Bob Moore
 Axel F (From Beverly Hills Cop) Harold Faltermeyer  Quentin's Theme Charles Randolph Grean Sounde
 Last Night The Mar-Keys  Gonna Fly Now ( from Rocky) Bill Conti
 Soulful Strut Young-Holt Unlimited  Route 66 Theme Nelson Riddle Orchestra
 Wild Weekend The Rebels  Hoedown Emerson, Lake & Palmer
 Hocus Pocus Focus  Rock & Roll (Part 2) Gary Glitter
 Alley Cat Bent Fabric  Time is Tight Booker T & the MGs
 Theme from Midnight Cowboy Ferrante & Teicher  Overture from Tommy The Who
 Rebel Rouser Duane Eddy  Soul Sacrifice Santana
 Memphis Lonnie Mack  Soul Twist King Curtis
 Peter Gunn Theme Ray Anthony  Baby Elephant Walk Henry Mancini
 A Taste of Honey Herb Alpert/Tijuana Brass  Cherry Pink & Apple Blossom White  Perez Prado
 Patricia Perez Prado  River Kwai March Mitch Miller & Orchestra
 Java Al Hirt  Cast Your Fate to the Wind Sounds Orchestral
 Songbird Kenny G  The Horse Cliff Nobles & Company
 Quiet Village Martin Denny  Breezin' George Benson
 Express B.T. Express  Morning Dance Spyo Gyra
 Music Box Dancer Frank Mills  Watermelon Man Mongo Santamaria
 Feels So Good Chuck Mangione  Tijuana Taxi Herb Alpert/Tijuana Brass
 Theme from A Summer Place Percy Faith  The In Crowd Ramsey Lewis Trio
 Lisbon Antigua Nelson Riddle  Magnificent Seven Theme Al Caiola

An Interesting Development....

After this station went on the air, a number of Radio George listeners emailed to ask about other hit instrumentals that were favorites of theirs, that did not appear on the channel. Somehow, these tunes slipped by Radio George....but we got 'em and added them to the lineup. If you remember one that's not here, Contact Us and if we can dig it up, we'll add it. Here are the listener-suggested songs:

 Midnight in Moscow - Kenny Ball   [Player displays wrong artist]  More (Theme from Mondo Cane) - Kai Winding Orchestra
 Cotton Candy - Al Hirt  Perfidia - The Ventures
 Slaughter on 10th Ave - The Ventures  A Swingin' Safari - Bert Kaempfert
 Red Roses for a Blue Lady - Bert Kaempfert  Yellow Bird - Arthur Lyman
 Soul Limbo - Booker T & the MGs  Penetration - The Pyramids
 Theme from Shaft - Isaac Hayes  Bongo Rock - Preston Epps
   

The titles of many instrumental rock hits seem to fit the sound of the music, while others are catchy, but not really related to the song. Maybe they were something one of the musicians thought up on the spur of the moment. Or, like the hit Green Onions, the song was named after a pet cat whose way of walking inspired the song. But there are two instrumental hits in particular that have truly "far-out" stories behind their titles.....

 


"I Was Kaiser Bill's Batman"
Whistling Jack Smith

What kind of title is this? Who Was Kaiser Bill? Where's the Boy Wonder?

From everything2.com:

Remarkable UK pop tune from 1967 performed by Whistling Jack Smith. There are no vocals, just instrumental backing to a great deal of jocular whistling. The whistling is apparently the work of the Mike Sammes Singers and the record producer. A cheery, almost militaristic number that could only have been made in Britain in the sixties. The record was the brainchild of two Rogers: Roger Cook and Roger Greenaway. It reached #20 in the Billboard charts and #5 in the uk charts. Following its success, an artist was appointed to 'be' Whistling Jack Smith, and an album was released, but the success of 'Kaiser Bill' was never repeated.

So what's with this Batman stuff? Wikipedia to the rescue:

A batman (or batwoman) is a soldier or airman assigned to a commissioned officer as a personal servant. A batman's duties often include: acting as a "runner" to convey orders from the officer to subordinates; maintaining the officer's uniform and personal equipment as a valet; driving the officer's vehicle, sometimes under combat conditions; acting as the officer's bodyguard in combat; other miscellaneous tasks the officer does not have time or inclination to do. The action of serving as a batman was referred to as "batting". In armies where officers typically came from the upper class, it was not unusual for a former batman to follow the officer into later civilian life as a domestic servant.

OK, so just who was this batman? Wikipedia says:

John O'Neill was a professional musician born in County Durham, England to Irish parents. He was famous for his whistling abilities and was also an accomplished trumpeter.He is widely believed to have had a hit single with I Was Kaiser Bill's Batman credited as Whistling Jack Smith (a play on "Whispering" Jack Smith). However the exact nature of who Jack Smith was is unsure; certainly in TV appearances an actor lip-synced whistling to a backing track, and some sources attribute the single to British Decca/Deram producer Noel Walker, as producer and performing artist.

But wait! What about "Kaiser Bill?" Dustbury.com says:

Forget stately Wayne Manor. The real question here is why Kaiser Wilhelm II, emperor of Germany and king of Prussia, would have needed a small-b batman (a British soldier assigned duty as servant to an officer) in the first place. And when that's settled, we can work on the question of "Who was Whistling Jack Smith?" The name is a send-up of singer Whispering Jack Smith, soft-spoken because of an injury sustained in World War I; many of the noises are made by the Mike Sammes Singers, well-known in Britain but in the USA perhaps best-known for being the parents of the kids chanting on John Lennon's "I Am The Walrus", and the leader of all the whistlers was recording producer Noel Walker. The tune was orignally titled "Too Much Birdseed" (!) and was concocted by Roger Cook and Roger Greenaway, previously of the Kestrels; their song "You've Got Your Troubles" (also produced by Walker) became a major hit for the Fortunes, and as "David and Jonathan" they did a successful remake of the Beatles' "Michelle" in 1966. Everyone at Decca, owner of the Deram label, seemed surprised that this little ditty became a hit, and in an effort to keep the hype going, the label designated singer Coby Wells, real name Billy Moeller (brother of Tommy Moeller of Unit Four Plus Two), already signed to Decca, as the "official" Whistling Jack Smith for touring purposes. Greenaway and Cook would go on to write many other songs; perhaps their biggest hit was "Long Cool Woman In A Black Dress", the Hollies' crunchy Creedence pastiche. Billed as an instrumental, "...Batman" actually contains one word, uttered by Noel Walker: curiously, it's "Hey!" on the 45 and "Oy!" in the stereo mix.

There. I hope that's clear now.

"Rumble"
Link Wray

The song without lyrics that was actually banned from airplay in 1958!

A lot of people don't remember the song or the artist. Link Wray and his Ray Men created an overdriven, distorted electric guitar sound for their recordings, and are credited with having invented the power chord, which some say led to heavy metal and punk rock music.

Once again, we turn to Wikipedia for the story behind the title of this unique hit instrumental:

In 1958, at a live gig of the D.C.-based Milt Grant's House Party, attempting—at the urging of the local crowd—to work up a cover sound-alike for The Diamonds' hit, "The Stroll", they came up with an eleven and one half bar blues song titled RUMBLE which -they first called "Oddball". The song was an instant hit with the live audience, which demanded four repeats that night. Eventually the song came to the attention of record producer Archie Bleyer of Cadence Records, who hated it, particularly after Wray poked holes in his amplifier's speakers to make the recording sound more like the live version. Searching for a title that would hit home with radio listeners, Bleyer sought the advice of Phil Everly, who listened and suggested it should be called Rumble, as it had a rough attitude that reminded him of a street gang. Rumble was slang for a "gang fight."

The menacing stalking sound of "Rumble" (and its title) led to a ban on several radio stations, a rare feat for a song with no lyrics, on the grounds that it glorified juvenile delinquency. Nevertheless it became a huge hit, not only in the United States, but also Great Britain, where it has been cited as an influence on The Kinks and The Who, and Jimmy Page among others. Jimmy Page cites the song in the Davis Guggenheim documentary "It Might Get Loud" and proceeds to play air guitar to the song in the movie. Pete Townshend stated in unpublished liner notes for the 1970 comeback album, "He is the king; if it hadn't been for Link Wray and 'Rumble,' I would have never picked up a guitar." In other liner notes in 1974, Townshend said, of "Rumble": "I remember being made very uneasy the first time I heard it, and yet excited by the savage guitar sounds."

The complete story of Link Wray is a compelling one and a good read for any rock fan, regardless of age. You can check it out at this page on Wikipedia.

 
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