|
"...the sound
quality is unbelievable!" |
|
|
 |
|
|
|
|
|
|
|
|
| |
|
| |
|
"Thank you, Radio
George, for a simply great radio station." |
|
| |
|
|
|
|
|
|
| |
|
|
|
|
|
Radio George Top 100+ Rock Instrumentals
|
Tequila |
The Champs |
Poor
People of Paris |
Les Baxter |
|
Sleepwalk |
Santo & Johnny |
Love
is Blue |
Paul Mauriat |
|
Wipe Out |
The Surfaris |
Wonderland
by Night |
Bert
Kaempfert |
|
Walk, Don't Run |
The Ventures |
Calcutta |
Lawrence
Welk |
|
Apache |
Jorgen Ingmann |
Last
Date |
Floyd Cramer |
|
Because They're Young |
Duane Eddy |
Stranger
on the Shore |
Acker Bilk |
|
Green Onions |
Booker T & the MGs |
Rise |
Herb Alpert |
|
Out of Limits |
The Marketts |
Theme
from Chariots of Fire |
Vangelis |
|
Scorpio |
Dennis Coffey |
Rumble |
Link Wray |
|
No Matter What Shape |
The T-Bones |
Miserlou |
Dick Dale &
the Del-Tones |
|
Pipeline |
The Chantays |
TSOP(Sound of
Philadelphia) |
MFSB |
|
Red River Rock |
Johnny & the Hurricanes |
Jessica |
The Allman
Brothers Band |
|
The Lonely Bull |
Herb Alpert/Tijuana Brass |
Time
is Tight |
Booker T &
the MGs |
|
Joy |
Apollo 100 |
Soul
Finger |
The Bar-Kays |
|
The Good the Bad &
the Ugly |
Hugo Montenegro |
Ghost
Riders in the Sky |
The Ventures |
|
The Pink Panther Theme |
Henry Mancini |
Guitar
Boogie Shuffle |
Arthur Smith |
|
Classical Gas |
Mason Williams |
Woo-Hoo! |
The
Rock-a-Teens |
|
Telstar |
The Tornadoes |
Harlem
Nocturne |
The
Viscounts |
|
A Fifth of Beethoven |
Walter Murphy |
Bumble
Boogie |
B Bumble &
the Stingers |
|
Honky Tonk (Parts 1 & 2) |
Bill Doggett |
Wheels |
The
String-A-Longs |
|
The Stripper |
David Rose & His Orchestra |
Bulldog |
The
Fireballs |
|
Dueling Banjos |
Deliverance Soundtrack |
Popcorn |
Hot Butter |
|
Love's Theme |
Love Unlimited Orchestra |
The
Hustle |
Van McCoy |
|
Topsy Part II |
Cozy Cole |
The
Lonely Surfer |
Jack
Nitzsche |
|
The Happy Organ |
Dave "Baby" Cortez |
Theme
from Bonanza |
Al Caiola |
|
Miami Vice Theme |
Jan Hammer |
A Walk
in the Black Forest |
Horst
Jankowski |
|
Grazing in the Grass |
Hugh Masekela |
Theme
from Hawaii Five-0 |
The Ventures |
|
Pick Up the Pieces |
Average White Band |
I Was
Kaiser Bill's Batman |
Whistling
Jack Smith |
|
Theme from S.W.A.T. |
Rhythm Heritage |
Yakety
Sax |
Boots
Randolph |
|
Raunchy |
Bill Justis & His Orchestra |
Mexico |
Bob Moore |
|
Axel F
(From Beverly Hills Cop) |
Harold Faltermeyer |
Quentin's
Theme |
Charles
Randolph Grean Sounde |
|
Last Night |
The Mar-Keys |
Gonna
Fly Now ( from Rocky) |
Bill Conti |
|
Soulful Strut |
Young-Holt Unlimited |
Route
66 Theme |
Nelson
Riddle Orchestra |
|
Wild Weekend |
The Rebels |
Hoedown |
Emerson,
Lake & Palmer |
|
Hocus Pocus |
Focus |
Rock &
Roll (Part 2) |
Gary Glitter |
|
Alley Cat |
Bent Fabric |
Time
is Tight |
Booker T &
the MGs |
|
Theme from
Midnight Cowboy |
Ferrante & Teicher |
Overture
from Tommy |
The Who |
|
Rebel Rouser |
Duane Eddy |
Soul
Sacrifice |
Santana |
|
Memphis |
Lonnie Mack |
Soul
Twist |
King Curtis |
|
Peter Gunn Theme |
Ray Anthony |
Baby
Elephant Walk |
Henry
Mancini |
|
A Taste of Honey |
Herb Alpert/Tijuana Brass |
Cherry
Pink & Apple Blossom White |
Perez
Prado |
|
Patricia |
Perez Prado |
River
Kwai March |
Mitch Miller
& Orchestra |
|
Java |
Al Hirt |
Cast
Your Fate to the Wind |
Sounds
Orchestral |
|
Songbird |
Kenny G |
The Horse |
Cliff Nobles & Company |
|
Quiet Village |
Martin Denny |
Breezin' |
George Benson |
|
Express |
B.T. Express |
Morning
Dance |
Spyo Gyra |
|
Music Box Dancer |
Frank Mills |
Watermelon
Man |
Mongo
Santamaria |
|
Feels So Good |
Chuck Mangione |
Tijuana
Taxi |
Herb
Alpert/Tijuana Brass |
|
Theme from A
Summer Place |
Percy Faith |
The In Crowd |
Ramsey Lewis Trio |
|
Lisbon Antigua |
Nelson Riddle |
Magnificent
Seven Theme |
Al Caiola |
|
 |
An Interesting
Development....
After this station
went on the air, a number of Radio George listeners emailed to ask
about other hit instrumentals that were favorites of theirs, that
did not appear on the channel. Somehow, these tunes slipped by
Radio George....but we got 'em and added them to the lineup. If you
remember one that's not here, Contact Us and if we can dig it up, we'll add it. Here are
the listener-suggested songs: |
|
|
| Midnight
in Moscow - Kenny Ball
[Player displays wrong artist] |
More
(Theme from Mondo Cane) - Kai Winding Orchestra |
| Cotton
Candy - Al Hirt |
Perfidia - The Ventures |
| Slaughter
on 10th Ave - The Ventures |
A
Swingin' Safari - Bert Kaempfert |
| Red
Roses for a Blue Lady - Bert Kaempfert |
Yellow
Bird - Arthur Lyman |
| Soul
Limbo - Booker T & the MGs |
Penetration
- The Pyramids |
| Theme
from Shaft - Isaac Hayes |
Bongo Rock - Preston Epps |
| |
|
|
 |

|
The titles of many
instrumental rock hits seem to fit the sound of the music, while
others are catchy, but not really related to the song. Maybe they
were something one of the musicians thought up on the spur of the
moment. Or, like the hit Green Onions, the song was named
after a pet cat whose way of walking inspired the song. But there are
two instrumental hits in particular that have truly
"far-out" stories behind their titles..... |
|
"I Was Kaiser Bill's Batman"
Whistling Jack Smith
What kind of title is this? Who Was Kaiser
Bill? Where's the Boy Wonder?
From everything2.com:
Remarkable UK pop tune
from 1967 performed by Whistling Jack Smith. There are no vocals, just
instrumental backing to a great deal of jocular whistling. The
whistling is apparently the work of the Mike Sammes Singers and the
record producer. A cheery, almost militaristic number that could only
have been made in Britain in the sixties. The record was the
brainchild of two Rogers: Roger Cook and Roger Greenaway. It reached
#20 in the Billboard charts and #5 in the uk charts. Following its
success, an artist was appointed to 'be' Whistling Jack Smith, and an
album was released, but the success of 'Kaiser Bill' was never
repeated.
So what's with this Batman stuff?
Wikipedia to the rescue:
A batman (or batwoman) is a
soldier or airman assigned to a commissioned officer as a personal
servant. A batman's duties often include: acting as a "runner" to
convey orders from the officer to subordinates; maintaining the
officer's uniform and personal equipment as a valet; driving the
officer's vehicle, sometimes under combat conditions; acting as the
officer's bodyguard in combat; other miscellaneous tasks the officer
does not have time or inclination to do. The action of serving as a
batman was referred to as "batting". In armies where officers
typically came from the upper class, it was not unusual for a former
batman to follow the officer into later civilian life as a domestic
servant.
OK, so just who was this
batman? Wikipedia says:
John O'Neill was a professional
musician born in County Durham, England to Irish parents. He was
famous for his whistling abilities and was also an accomplished
trumpeter.He is widely believed to have had a hit single with I Was
Kaiser Bill's Batman credited as Whistling Jack Smith (a play on
"Whispering" Jack Smith). However the exact nature of who Jack Smith
was is unsure; certainly in TV appearances an actor lip-synced
whistling to a backing track, and some sources attribute the single to
British Decca/Deram producer Noel Walker, as producer and performing
artist.
But wait! What about "Kaiser Bill?" Dustbury.com
says:
Forget stately Wayne Manor. The
real question here is why Kaiser Wilhelm II, emperor of Germany and
king of Prussia, would have needed a small-b batman (a British soldier
assigned duty as servant to an officer) in the first place. And when
that's settled, we can work on the question of "Who was Whistling Jack
Smith?" The name is a send-up of singer Whispering Jack Smith,
soft-spoken because of an injury sustained in World War I; many of the
noises are made by the Mike Sammes Singers, well-known in Britain but
in the USA perhaps best-known for being the parents of the kids
chanting on John Lennon's "I Am The Walrus", and the leader of all the
whistlers was recording producer Noel Walker. The tune was orignally
titled "Too Much Birdseed" (!) and was concocted by Roger Cook and
Roger Greenaway, previously of the Kestrels; their song "You've Got
Your Troubles" (also produced by Walker) became a major hit for the
Fortunes, and as "David and Jonathan" they did a successful remake of
the Beatles' "Michelle" in 1966. Everyone at Decca, owner of the Deram
label, seemed surprised that this little ditty became a hit, and in an
effort to keep the hype going, the label designated singer Coby Wells,
real name Billy Moeller (brother of Tommy Moeller of Unit Four Plus
Two), already signed to Decca, as the "official" Whistling Jack Smith
for touring purposes. Greenaway and Cook would go on to write many
other songs; perhaps their biggest hit was "Long Cool Woman In A Black
Dress", the Hollies' crunchy Creedence pastiche. Billed as an
instrumental, "...Batman" actually contains one word, uttered by Noel
Walker: curiously, it's "Hey!" on the 45 and "Oy!" in the stereo mix.
There. I hope that's clear now.

"Rumble"
Link Wray
The song without lyrics that was actually
banned from airplay in 1958!
A lot of people don't remember the song
or the artist. Link Wray and
his Ray Men created an overdriven, distorted electric guitar sound for
their recordings, and are credited with having invented the power
chord, which some say led to heavy metal and punk rock music.
Once again, we turn to Wikipedia for
the story behind the title of this unique hit instrumental:
In 1958, at a
live gig of the D.C.-based Milt Grant's House Party, attempting—at the
urging of the local crowd—to work up a cover sound-alike for The
Diamonds' hit, "The Stroll", they came up with an eleven and one half
bar blues song titled RUMBLE which -they first called "Oddball". The
song was an instant hit with the live audience, which demanded four
repeats that night. Eventually the song came to the attention of
record producer Archie Bleyer of Cadence Records, who hated it,
particularly after Wray poked holes in his amplifier's speakers to
make the recording sound more like the live version. Searching for a
title that would hit home with radio listeners, Bleyer sought the
advice of Phil Everly, who listened and suggested it should be called
Rumble, as it had a rough attitude that reminded him of a
street gang. Rumble was slang for a "gang fight."
The menacing stalking sound of
"Rumble" (and its title) led to a ban on several radio stations, a
rare feat for a song with no lyrics, on the grounds that it glorified
juvenile delinquency. Nevertheless it became a huge hit, not only in
the United States, but also Great Britain, where it has been cited as
an influence on The Kinks and The Who, and Jimmy Page among others.
Jimmy Page cites the song in the Davis Guggenheim documentary "It
Might Get Loud" and proceeds to play air guitar to the song in the
movie. Pete Townshend stated in unpublished liner notes for the 1970
comeback album, "He is the king; if it hadn't been for Link Wray and
'Rumble,' I would have never picked up a guitar." In other liner notes
in 1974, Townshend said, of "Rumble": "I remember being made very
uneasy the first time I heard it, and yet excited by the savage guitar
sounds."
The complete story of Link Wray is a compelling
one and a good read for any rock fan, regardless of age. You can check
it out at
this
page on Wikipedia. |
Talkin' Oldies
Stories from the soundtrack of your life
New Page 1
Featured Artist: Current Chart debut year: 1977
New Page 1
Ten Songs About The Working Man The tunes may be old, but the sentiments are as relevant as today's headlines -- the plight of the working man (and woman) hasn't changed all that much since the days of Eisenhower, as these golden oldies will prove. Coal mine conditions, Dennis Kucinich's Presidential campaign and the big lottery payoff... they're all tied into my list. Just in time for Labor Day, here's my list of songs about getting jobs, keeping them, and even trying to get out of them.
What Is Stax/Volt? The brand of soul music known as Stax/Volt was label-based, just like Motown, but offered a harder, more emotional sound of black America to compete with its more famous Detroit rival's Sound of Young America. But the Blues Brothers, as well as countless R&B acts, would have been unthinkable without it. Read more about Stax/Volt music and its relation to other oldies music styles in my latest A-Z encyclopedia entry.
They're Trying To Wash Us Away: Katrina's effect on New Orleans' rock and roll landmarks Now Updated! In remembrance of the 5th anniversary of Hurricane Katrina and the devastation wrought on the Gulf Coast, I'm once again presenting this guide to New Orleans' (that is, my hometown's) rock and roll landmarks and the water damage they suffered during the storm. Many of these suffered minor damage, or have since been repaired, but they should never leave our consciousness again -- and this article helps explain why.
The Death of Elvis On the 33rd anniversary of the King's untimely demise, I take a look at the disturbing last days of Elvis Presley's life. Got a question about the mysteries surrounding his death, his funeral and burial, or the persistent myth that he never passed away at all? This list of Frequently Asked Questions (FAQ) about the death of Elvis can help.
The Beatles Rock Band: "Here Comes The Sun" One of the best-loved songs in the Beatles' canon, "Here Comes The Sun" was nevertheless a contradiction of sorts: a simple song that was in reality rhythmically complex, an ode to serenity written in the midst of excessive turmoil, and a Beatles song in which George makes most of the music alone. Read a detailed breakdown of "Here Comes The Sun" in my latest Beatles fact sheet.
|
|
|
"Finally!
REAL oldies, all the originals!" |
|
|
|
|
|
|
|
Rock n' Roll News
|
New Page 1
Thursday's Pick: the Growlers, Shannon & the Clams, and Spencey Dude and the Doodles Shannon & the Clams Spencey Dude and the Doodles Rickshaw Stop 8 p.m., $10-$12 If Shannon and the Clams covered Martha and the Vandellas' "Heatwave" -- and they might -- it would probably sound like the lead singer was extremely angry at the weather.
The music world according to Phil Phil Alvin likes to talk. But unlike many who have the gift of gab, the frontman for legendary L.A. band the Blasters actually has something to say.
MHCA tribute performance salutes Frankie Valli and the Four Seasons On Saturday at 8 p.m., Memorial Hall Center for the Arts presents "Ragdoll: A Tribute to Frankie Valli and the Four Seasons." With fine harmonies and the falsetto of lead singer, Eddy Rezzonico, this tribute brings back the era when Frankie Valli and the Four Seasons ruled the charts with hits like "Sherry," "Big Girls Don't Cry," "Ragdoll," "Can't ...
The Rock Hall celebrates 15 years Crystal may be the appropriate gift for the Rock and Roll Hall of Fame and Museum's 15th anniversary, but you'd better believe Rock Hall officials are feeling golden these days.
Ticket feature: Bobby Vee returning to Clovis Music Festival Bobby Vee is returning to play the Clovis Music Festival this year. Vee has played the festival, slated for Sept.
|
|
"Rock n' roll
never sounded better." |
|
New Page 1
|